都市寓言的剧情简介 · · · · · ·
Synopsis
In the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?
Director’s statement
What lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.
剧情简介在《洞穴寓言》中，柏拉图思考道：如果其中一个囚犯设法摆脱了锁链并逃离了洞穴，会发生什么？如果那个囚犯是 Jay，一个 7 岁的小男孩呢？ 导演致辞 城市日常移动的背后是什么？去年冬天，我们在巴黎见面，开始讨论《柏拉图理想国》中所说的洞穴寓言。这个神话想象人类生活在锁链中，面对洞穴的背面，看着影子在墙壁上移动，认为这是现实。我们都与图像一起工作，这些图像当然可以是幻觉，但也可以成为斗争和思想解放的工具。所以，从这次讨论中，我们决定制作一部短片。我们有几个固定的想法——洞穴、舞蹈、我们周围熙熙攘攘的城市——还有一个问题：如果我们都设法一起转向洞穴的出口，会发生什么？也许，只要束缚我们的锁链是真实的，就断言图像是幻觉是不够的。
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